Hanna Provost– CR #1

So far, Anna and I have worked mostly on our own, not really communicating with each other after getting down the basics of what where we want our story to go. I think I have come to some understanding of our main question: “How are stories changed based on the perspective from which they are told?” I knew, even before starting the project, that stories would be different based on who was telling them because Anna’s telling her story from all the way across the country, so obviously a pandemic and even a quarantine would look drastically different simply because of the setting; her grocery store is further away, there are less people, she has a yard to go into, etc.

What I have come to understand through this project so far is that not everyone worries about or even notices the same things– what is important to my character may not be important at all to Anna’s, or vice versa. For instance, the emptiness of the streets might seem like a big difference to me, in the city, but not to Anna because her streets are relatively empty anyway. Similarly, two things might be very important to both characters, but present themselves in different ways. Both character’s might worry about food, but Anna’s worries about getting to a grocery store and mine worries about whether there’s any food left.

I would like to develop this understanding even more. I think that the two examples I gave are pretty obvious ones, and I want to see what, given the circumstances, Anna finds more important for her character than I do. Because our writing is journal-style, only the most important and critical moments will be shown, since generally people write more about the stuff that’s bothering them than the more insignificant moments. I want to see what setting and perspective and even character traits change the importance of life events.

One thought on “Hanna Provost– CR #1

  1. Hanna, I’m struck by your observation / realization that “not everyone worries about or even notices the same things– what is important to my character may not be important at all to Anna’s, or vice versa.” I wonder if there are differences other than geography that impact what your characters notice. I know that’s the main thing right now in the project, but it could also be interesting to see how characters’ interests or backgrounds play into it. To offer a tiny example: I sew, knit, embroider, and generally dabble in a lot of textile stuff, and since I started getting into this about a decade ago I have really begun to notice so many more details about people’s clothing than I used to! I just saw a young girl wearing a hand-knitted hat and was able to name which knitting designer / pattern had been used to make it! But I also often use textile metaphors to describe things completely unrelated to knitting/sewing/etc. What are your characters’ areas of interest/focus/expertise, and how does THAT dictate what they notice? Or how they describe the world generally?

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