It’s that time of year! Time for the Fourth Grade to write and perform a play about all that we have learned this year. Asher explains:
But we skipped ahead….there were many steps to this process. First, we needed to write the script. After coming up with a rough draft, we invited some experts in. Nate’s mom, Diana, a playwright and producer, helped us with our script writing process. She inspired us to do more editing. So we revised our script. Soon, it was time to get into character. Romy’s mom, Sofia, who is a director and writer, talked to us about her work. She gave us some ideas about how to handle ourselves on stage. She also taught us a warm-up technique/game called “Soundball.” Rehearsing involved other tasks like carrying chairs from classroom to classroom and building to building, working hard, and eating pizza. In the beginning we weren’t sure we would make it! A few days in…we started to see the big picture during the first reading of our entire script. Thank goodness for collaborative tools like Google Drive and iPads! We practiced our lines and the process of projecting our voices during recess. More pieces fell into place. We could use the high school auditorium now! We made props in art and shop class. We had a guitar! Although honestly speaking, Asher thought it would have been better if we had started rehearsals at least a week earlier – we only had a few days until the performance!What we are about to perform for you is a story of immigrants, migrants and protests. In Fourth Grade this year we studied immigrant stories of coming over from other countries and settling in the lower east side. This year we also studied the Great Migration and how African Americans moved to the northern states because of race issues in the south. There are protests that relate to immigration, migration and present day politics that you will see in the play. We hope you enjoy our play A Journey Of People From Past To Present.
June 2, 2017
It’s show time!
Let’s meet the cast and their characters!
Please note: The snapshots/portraits of us below were taken while we were engaging in a warm-up/loose-up walk to the final production. They are presented alongside excerpts from our script.
Historical Immigration
Steerage/Ellis Island/Lower East Side
We made murals to help with our storytelling in art class. Here is a painting of the Great Hall at Ellis Island. (German son) Nate: Uhhh. I envy first and second class. They are above the water and have food. They don’t even know we are alive. I’m hungry. Excuse me (talks to CC) do you happen to have any extra food? We had some when we started on the trip but it only lasted the first ten days.There’s our director, Charissa.
Aedín is our musical director! We couldn’t tell these stories without music.Yes, It’s called the Statue of Liberty. It’s said that she welcomes all us immigrants to this new land. Let’s go!
Inspector R.(Crosby): Where are you from?
Aruna (Suko): We are from India.
Inspector R.(Crosby): Turn around. Good. How much money do you have?
Amala (Mia): 25 Dollars.
Inspector R.(Crosby): Good, that’s minimum, so you won’t become a public charge. Here are your landing cards.
Inspector R. (Crosby): Next! Manifest number 430.
Crying family gets in line behind Makeda.Aruna (Suko): (directly to the audience): Look, Mama that whole family is crying. It looks like they’re being split up. Now I know why they call this place the Island of Tears.
Amala (Mia): I wonder if Manhattan will be The Island of Hope.
Aruna (Suko): Yeah I wonder.
Landlord (Yves): I’m Mr. Weber, your landlord. This is your new tenement. Now you must follow these rules:
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No pets or you’re out
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No complaints or you’re out
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If you don’t pay the monthly rent you’re out
Now I got a lot of other people who would want this tenement, so don’t play with your chances.
Simone (Romy): Wow. This is going to be a LOT more different than living in France.
Ero (Ezra): It’s okay, let’s try and steer our ships with positivity! Moving to America was the only option that we had. We will eventually get used to it.
Ezra: don’t be so pessimistic… Romy: Here we go again Yves: is he going to start singing? Wyeth: life isn’t a musical number! Romy: No!! too late!Whole family: Hey, I’m not giving you my pay
But we could do this another day
And if you knock, knock us over,
We’ll steer with positivity.
We can’t afford the rent
But America’s where we went
And if you knock, knock us over,
We’ll steer with positivity
Whoa oh oh oh oh oh oh
Positivity!
Whoa oh oh oh oh oh oh
Positivity!
Triangle Shirtwaist Protest
Zen walks to the factory and stops when he sees workers giving out flyers.
Zen: What are you guys doing? Why aren’t you going to work?
Milla: We are handing out flyers to announce our strike for better working conditions in the factories. We’re heading over to Cooper Union.
Zen: What do you mean better working conditions?
All cheer and chant: WE WANT BETTER PAY AND WE DON’T WANT TO WORK ALL DAY!!!!!!!!!!!!!!!!!!!!!!!!! x2Alden (Clara Lemlich): I think we need better working conditions that’s why we’re all here. We are poor but a little bit of respect would be nice! We come to work everyday and work too many hours to get too little pay. We should have safer fire escapes that work and be able to use the bathroom when we need to. The doors should be open and we should not be punished for not coming in on Sunday! We need more changes now! So let’s strike to end this madness.
Asher: We’ll be fine. And anyway what’s the worst they could do? It is so many against so few.
The Great Migration
Papa Till (Bailey): Working in the fields was so hard today. I wish we could keep more of our crops instead of having to give them to the landowner.
Nessie (Jade): (Comes in angrily, slams down the Crisis on the table) Have you seen the new issue of the Crisis yet?!
Freeman (Miles): No I haven’t. I do know that Sheriff Johnson was saying that most of the white people in the town said we shouldn’t be reading it anymore.
Nessie (Jade): It’s because they don’t want us to know the truth about how bad things are getting for black people in the South.
Meese (Kieran): And what’s more, once we get further North, the train cars aren’t even segregated anymore.
Jeffrey (Jasiri) Really? That’s hard to believe.
Papa Till (Bailey): The first thing we are going to need to do when we get to Chicago is find a place to live.
Meese (Kieran): Don’t worry. I know someone who has a place to rent.
Billy (Leo): Is it big?
Meese (Kieran): Unfortunately, it is pretty small. But hopefully in a little while, you can get a bigger place.
Papa Till (Bailey): Ok. Sounds good. Children, we’re almost to Chicago now.
Meese (Kieran): I’m looking forward to getting back there. You are going to love it.
(Children make train movement and sounds, move across stage.)Mama (Margot): Here in the North, at least people like us will have a chance.
Thannie (Makeda): That’s true. I think with a few of our personal things, we can make this into our home.
Eleanor (Gia): We have heard that Chicago has more opportunities for people like us than the South.
Chicago, Chicago,
You have many layers
Some good, some bad
You frighten me,
Wild Chicago
Protest Scene
Ain’t gonna let nobody turn me around Turn me around, turn me around Ain’t gonna let nobody turn me around Keep on a-walkin’, keep on a-talkin’ Gonna build a brand new world